That was more than enough to go on, but Full Throttle's snappy writing, post-apocalyptic metaphor, and catchy tunes carried me the rest of the way. The cover showed a burly biker catching air on a tricked-out motorcycle with flames boiling over behind him.
Growing up, I was fortunate to have an uncle who encouraged me to learn (and play with) computers by sending me a new desktop every two or three years, and games much more frequently. Between the awesome-looking minotaur on the cover and, later, Jane Jensen's exquisite Gabriel Knight and its sequel, my allegiance to the house that Ken and Roberta Williams built was unwavering.Įxcept for Full Throttle. I happened across a copy of King's Quest VI: To Heir is Human in the bargain bin at my local Kay B Toys. The game you played first tended to determine which publisher camp you threw in with. While several publishers vied for the crown back in the genre's heyday, the cream of the point-and-click crop came from Sierra On-Line and LucasArts. It's also the only LucasArts adventure I've ever played.
Full Throttle Remastered is LucasArts' best adventure game.
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